I redid a point and some tests concerning the “problem” of the focus distance for Sony cameras/lens!
I have been using Sony cameras for a long time, first in A mount, then in E(FE) mount.
It is well known that the focus distances with the Sonys have always been a problem since they are rarely “found” by PL.
But the polemical turn of the last interventions seems to me a little excessive!
PhotoLab exports of raw Sony ARW, I obviously have a few thousand. Although I would obviously prefer the distance to be recognized automatically, I never had any problems with the distortion correction.
From my tests, I deduce (but it is also obvious) that the distortion correction depends on:
- essentially the lens (and its focal length for zooms): incidence 95 to 100%, personal estimate!
- and for a variable part (low to very low) of the focus distance. Including of course for short focal lengths and/or with significant and complex distortions. Incidence 0 to 5%, always personal estimate!
Regarding lenses for which DxO does not display the focusing distance setting, I am not sure that DxO uses (or calculates) the distance (FocusDistance2) from the metadata.
I checked for my lenses, only long focal lengths: 70mm and more, and a macro lens. I note that the distortion linked to the focal length is low to very low. Suffice to say that the impact of the focus distance is totally zero. Of course, this is also verified by comparing the PL6 exports with the exports from Sony’s demosaicing software: Edit, which we can assume knows how to read its own metadata!
My conclusion is therefore that for these lenses, whether or not DxO reads the distance, this has no practical effect on the distortion correction… So DxO can very well ignore the distance for these lenses, I don’t I don’t see anything against them.
For lenses that display the focusing distance setting (most of mine):
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DxO obviously does not use FocusDistance2
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FocusDistance2 seems to not match actual focus distance perfectly, especially at short distances. I couldn’t find any explanation…
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In .dop files, the DistortionFocus value can be present twice:
– at the start of the file, this is the default value applied when opening the raw, generally 128 (= infinity) with the DxO Standard preset. For my case it is 50 (= 50m) which is the value of my personalized preset.
– at the end of the file, the new value entered at the cursor, if there has been a modification.
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The focusing distance ranges are different according to each lens, which implies adapted distance settings.
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From a certain focus distance, variable according to the lens (distance which can be quite short: 1 to 2m, or rarely longer: 10 to 20m), nothing changes for the distortion correction. It may seem odd, but it’s just a reality that can be easily verified without reverse engineering. By having a real line at the edge of the image, from the moment it is perfectly corrected in distortion for a given distance, it remains so regardless of the higher distance setting on the slider. This relativizes the importance given to the focus distance “in real life”!
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For very short focus distances and when the range drop-down list is large, it is better to enter a fairly precise distance.
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In all other cases, it is not necessary to be precise about the distance to be entered, an estimate of the distance will always lead to a valid correction.
Again, it would be preferable for DxO to enter the metadata distance values directly.
In the meantime and for my photo practice, I have to enter the distances for a fairly limited number of images, the current value of 50m from my preset covering a majority of my photos taken. For example for my two most used zooms, this value of 50m covers all distances from 2m to infinity for perfect distortion correction.
Last point concerning the corrections of distortion of the manufacturers, Sony in this case, but it is probably valid for all.
In my tests, I was able to compare the “embedded” corrections used by the Sony and Adobe ACR software, with the DxO correction modules. And the advantage is clearly at DxO (and not only for the distortion)!