Hi Joju and thanks for the reinforcement.
I just found an interesting article in the “Nikon School”, in addition to @George’s link, which leads me to think that it might not all be marketing, but more bloggers exaggerating a “feature”…
Let me quote…
Since the imaging sensor constantly streams data for the LCD display during Live View, the mirror must be continuously held up while Live View is in use. When you press the shutter there’s a brief interruption to the Live View display as the camera drops the mirror, focuses and then quickly flips the mirror back up to capture a shot, after which Live View resumes. While this is fine for static scenes like landscapes, still lives and macros, it can make it tricky to get a good shot if your subject is moving or requires precise timing.
• As it’s more difficult to hold a camera steady when composing on the LCD screen, Live View is best used with the camera on a tripod.
So, @mikemyers, the Nikon School does not recommend waving the camera around in Live View mode, especially if you are not using the silent mode.
I, JoJu and others have also been trying to convince you that the D780 is not a mirrorless camera…
I love the simile
Well, almost, I had a D810 and, yes, that does do the mirror flip, but I now have a D850 and, as @George notes, that has the silent mode, which keeps the mirror up all the time you are in LV mode.
I think you misread - he mentions the D850
The overriding fact is that, even if a camera uses Live View, I, for one, would not want to try swinging it around with a heavy long lens attached, trying to catch distant moving objects, all at arm’s length, so I could see the screen, especially in bright light - all while trying to keep my fingers on the right places to alter focus, exposure, etc and to press the shutter.
Mind you, it would be interesting to see what Mike can do without dislocating a shoulder, since he is so insistent
By the way, when I use the D850 in Live View, on a tripod, it has this wonderful focus peaking feature, which allows me to see what is and what isn’t in focus by outline the sharp edges - at least in manual focus. Now, that is one heck of a useful tool when you are playing with narrow depth of field subjects like still lives.