Instead of using Style-Toning and Channel Mixer, the HSL tool can be used with improved control on how colour is translated to shades of grey: Channel Mixer has six colours with fixed ranges, while HSL has 8 tones with a variable range each.
To use HSL for B&W, do this
Click on the white dot and drag saturation to zero
Adjust other colours to taste
Of course, both tools can be used to produce fairly similar results…
Thanks for the info Platypus. I intended to give it a try but I would have had to find out how to proceed. Two short sentences from you and I am all set up.
Started with desaturated HSL white / RGB channel and played around a bit
chose different colours / changed the range
shifted colours
changed Luminance / reduced Uniformity
added the Channel Mixer
played with global Color Temperature
threw in Ton Curve and Fine Contrast settings for more ‘bite’
chose Selective Tone to fine adjust luminance
added some Control Points
shifted Color Temperature locally
adjusted Brightness locally
adjusted brightness with Gradient Tool (instead of Creative Vignetting)
played with B&W-Film Grain
@platypus, thank you for the idea (and to remember about the ‘basics’)
Thank you Platypus for the tip.
I’m one of the desperate LR converts that you were mentioning and I still think that Channel mixer is an essential tool when it is question of creating B&W. I regret to have to buy ad additional plugging to get that tool.
I thought too about HSL tool, it is a good workaround, but you can only extend tone amplitude and luminance. I would need to compare back to LR, but I feel its impact on B&W is limited comparing to Channel Mixer. Also I’m surprised that using external circle “hue variation” has no effect on black and white.
I wil also try FP trial version to check if my feeling is right.
It is always sort of confusing when you change your tool that you used for such a long time And definitively I’m still in transition period