Understanding Selective Tone control

Count me in the good category, I like the way the selective tone sliders work. I have never used Lightroom and I learned to use the sliders on DXO Optics Pro ver. 8. Therefore I didn’t have to unlearn using some other software, however I can understand the frustration experienced by those that expect it to work differently. All I had before DXOOP8 was DPP. Back then(2012) DPP was a mere shadow of it’s present self. I haven’t used DPP in a while but I don’t think that they have improved the RAW tab very much and the highlights and shadows sliders don’t have a lot of latitude to use. When I got DXOOP8 I was so happy that the I could see some difference between pre and post use of the sliders that I didn’t care that they overlapped.
I learned that if I lowered the highlights, I would have to raise the midtones, then lower the shadows slightly if they were too high. It’s all a balancing act and you have to use all 4 sliders, often more than once, but again I understand if someone finds this process to be too much work.
I like the sliders as they are because I learned it that way and I must say that I have never run into a properly exposed file that I couldn’t recover the shadows or highlights if needed.
I wouldn’t mind if some of the overlap were eliminated, but please don’t turn it into a Lightroom clone.

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