See here
is this what you looking for?
This (export using ProPhoto ICC) is exactly what I am doing. I am not asking how to do it. I am asking why I am getting a color shift, and (more importantly) how can I make it work properly.
There are two possibilities
- colorspace not being converted properly and exported image being tagged with ProPhoto
- PL internal colorspace not as wide as ProPhoto and exported image being tagged with ProPhoto
I’m guessing that it’s mistagging besause I’m seeing a colorshift a bit like an aRGB file mistagged as sRGB (reds dark, maroon-ish). In this case it’s both blues and reds (and possibly yellow - just don’t have much yellow in my images)
I’m trying to use ProPhoto because of dark blues and cyans - there are some colors within my paper/ink profile that aRGB cannot cover.
I use ProPhoto in Photoshop to soft proof.
Original (which turns out that it is sRGB or AdobeRGB depending on the camera setting)
You do realize that with raw data, a camera’s colorspace setting is just a tag? ACR can demosaic into ProPhoto (or, theoretically, something wider than that) regardless of the camera’s setting.