What’s the best way to handle this. I’ve tried with local adjustment but the results don’t look natural.
Any ideas welcome and if it’s necessary I can also upload the .orf file
The best answer is to take a spot reading of the light and place that at 2 stops over-exposed, then when you process it, you will have to recover the shadow detail.
Hi Joanna,
the first one I know and the most time I follow this, but the situation surprised me, because that was the first silent outdoor disco I saw, and I forgot all I’ve learned
The second one I’ve never heard before
Enjoy weekend and don’t drink and dive or was it drive
I find that with DXO one is forced to use more control points because its selection isn’t as well defined as what I was used to in Capture NX2 (where Control points were born). In DXO the selection radiates too much from the middle of the control point and too little according to what it is placed on. To get some control over the selection you then often have to place multiple control points and the negatives. Even then it seldom works as well as it was in Capture NX2.
Here is a comparison I posted some time ago. Dunno if its changed since v4.