Nice to hear from you @HenHwyaden, you already seem to be there. 
Personally, I’m still missing some things in PL(4) like softproof etc, and will have to continue to print from my old PS via Epson print driver. – Here Sharpening with PL4 you find something about Nik Output sharpener (works with tiff-files), in case you want to use that (the ‘free’ version is still available from DxO).
As you can’t change your printer’s colour output (using correct profiles – canned or custom one’s / proof with the aforesaid test print) you might be able to trim your monitor, if you think so.
I’m using different papers and the colour reproduction remains about the same (the paper profile’s responsibility). But then, depending on the paper’s colour and amount of optical brighteners, I will get a cool, unbiased or warm interpretation of the very light colours, as they are semi-transparent. This can be controlled in softproof as well as the different D-max due to glossy, semiglossy or matte surface. With some experience you choose the appropriate paper and texture.
My monitor is mostly set for printing (5900° Kelvin, 80 cd/m², contrast ratio max. 1:500, AdobeRGB, optimized for greyscale / room with somewhat controlled lighting). I don’t compare my prints with the screen, but check them under different light conditions.
have fun, Wolfgang
(ed)