Something that some folks have asked for in PL is to be able to do “soft proofing”. This is a window that shows how the image should look when it is output to a certain device or printer. What it does is to translate the values produced by a selected profile and adjust the display to give the impression of what the colours and tones will look like if you were looking at them on the target medium.
macOS has a ColorSync utility that, if you open a file with it, shows you a soft proof of whichever profile you select for a given rendering intent.
Provided you have used a correctly profiled screen, the image should be as you want to see it printed. Then you export it to a tiff or jpeg for printing, with the AdobeGRB profile.
Then your printer should apply the correct profile for their paper/ink combination and the printer driver will “translate” the colours to match.
Applying a profile to a bitmap file is a bit like suggesting a colour temperature when you take a RAW.
This is because you chose a “full” preset, which overwrites all tool settings applied so far. The only way to avoid stomping all over stuff like this is to use partial presets, which only change specific settings.
One of the advantages of getting FilmPack Elite is that you get the channel mixer and coloured filters.
Here’s a straightforward conversion to the Fuji. Neopan™ Acros 100 film emulation with no filter…
… and here it is with a red filter…
This is an extreme example but it shows how the “film” can be made more or less reactive to certain colours.