Iâve read the explanation, Iâve set out my reasons, but to put it bluntly: âCan I keep that bug because it saves me time and therefore money?â
In other words: âIf Iâve bought DxO Lab because it exports DNG files with all the edits applied, can you just leave me in peace?â
Or: âIf I need a bug, why should I have to get rid of it?â (Imagine below a list of all human discoveries made by chance).
Or: Are there technical, ethical, moral, religious or legal reasons why non-linear data should be banned?
Or: Why was it fine before, so much so that I bought DxO for this very reason?
And in no particular order:
Is there a maximum number of export types allowed?
If I implement a feature, do I have to remove another one?
Are there reasons to lose customers, who remain on version 9.5, due to a technical dogma?
If something works and is useful to someone, can we keep it?
Have I ever said that the new feature that exports to TIFF is wrong? If you want to use it, use it; if you donât, donât.
I use DxO for work; if someone uses it to make cherry pits, thatâs fine by me, but let me get on with my work.
And to resume my ask:
Please restore the âDNG with all corrections appliedâ export option (PhotoLab 9.6+)
Hi DxO team,
Iâm a longâtime PhotoLab user and Iâve just run into a serious limitation introduced with PhotoLab 9.6 and later.
Until version 9.5, PhotoLab offered two distinct DNG export modes:
This was extremely powerful for those of us who use PhotoLab as the main raw developer and then finish our images in Adobe Camera Raw / Photoshop. The âall corrections appliedâ DNG allowed us to:
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Bake all DxO adjustments (noise reduction, optical corrections, tone, color, FilmPack looks, etc.) into a linear DNG
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Still open that DNG in Adobe Camera Raw with full ACR functionality available on top of the DxO rendering
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Keep the dynamic range and fineâtuning tools of ACR, while starting from the DxOâprocessed image
From 9.6 onward, the âall corrections appliedâ mode has been removed, and only the technical DNG (denoise & optical corrections only) remains. I understand from your explanations that this is to avoid color inconsistencies when converting from PhotoLabâs wideâgamut working space back to camera/native space for a linear DNG. However, removing the option entirely forces users like me to choose between:
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TIFF export (which bypasses Adobe Camera Raw completely and loses all rawâlevel ACR tools), or
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The reduced DNG that contains only denoise + optical corrections, losing all DxO creative adjustments when the file is opened in ACR.
For many workflows this is a major step backwards. The previous behaviour in 9.5 worked very well in practice and, importantly, it was optional: users who preferred a âpureâ technical DNG could choose âdenoise & optical corrections onlyâ, while others could knowingly accept the potential color differences and use âall corrections appliedâ.
Request
Please consider restoring the âDNG (all corrections applied)â export mode alongside the current âdenoise & optical corrections onlyâ option. Even a clearly âadvanced / use at your own riskâ flag would be acceptable. What matters is having the choice.
Right now the only way to preserve the previous, very powerful DxO â ACR/Photoshop workflow is to downgrade to PhotoLab 9.5, which is not ideal for users who also need the improvements introduced in 9.6 and later.
Thank you for considering this â it would make a big difference for users who rely on PhotoLab and Adobe Camera Raw together.
Thank you.