My guess would be that the reflective strips aren’t actually as white as they appear. Could they have a colour cast hidden within their bright appearance? Or could the reflective material they are made from be tricking the pipette tool into making an incorrect reading?
Have you tried taking a WB from one of the grey areas in the scene? I know Nikon (I can’t say for other camera manufacturers) recommend in the camera user manual to use a grey card to set white balance rather than a white card.
does the same thing with PL7, can’t use white to set the white, it just doesn’t work and shift colours every single time. its been broken for quit some time as far as i can tell.
Everything that I have read about WB is that you take your reading from a grey area rather than from a bright white. I actually never use the pipette as it very seldom does a good job.
I mostly use the R, G, and B channels in the curves tool to do my white balance with the added advantage of being able to see how the histogram behaves while making your changes. You can watch the peaks for the individual channels and when they align then your WB is pretty much done. I mostly just adjust the white point on each curve to move the histogram peaks.
This technique works particularly well on underwater photos where you have a strong blue cast and you need to add RED to bring it back into balance.
Thank you so much for sharing this. I do find that the picker does a serviceable job, if I choose a good gray tone, but using this to fine tune it makes the process very intuitive and very much fun.
I’ve seen such wild colour casts often. The trouble with choosing grey is that it is very difficult to judge what will be neutral. Whites and blacks are far more likely to be truly neutral.
stuck
(Canon, PL7+FP7+VP3 on Win 10 + GTX 1050ti)
18
So it does, I never realised that until now. Oh well, “Forewarned is forearmed.”
I really dont know, but can it be that your camera / files for that area really is something like: R:255 G:252 B: 255 ? (The wells in your camera sensor are not filled simultaneously in the 3 channels.) In that way it’s not white but looks like it’s white…
I can reproduce it, on windows. Put the eye dropper on a clipping part of the image and the image is getting green. I think that’s a wrong way of using the eye dropper.