While I use Phototlab for editing, I use Lightroom Classic and Photoshop for the vast majority of my editing. However, I always start with DxO Photolab at the beginning of my editing workflow. The reason I do this is not just for the optics modules and Deep Prime capabilities. I am not a fan of how Adobe interprets the colors of my raw files. I much prefer how DxO interprets the color profiles and it reminds me more of how the native raw editor for Nikon, NX and now NX Studio interprets the color profiles of raw images. So I will actually create and export Tif files from PhotoLab into either LR or Photoshop before editing to lock in the color interpretation from PhotoLab. While the set up of Pure Raw is better suited to how I actually integrate DxO into my workflow, I have and will continue to use PhotoLab instead unless this capability could be added into PureRaw. While there are large file sizes as a result, it is worth it to me to do it this way to take advantage of not only DxO noise removal and optics modules, but it’s interpretation of the color profiles. The workflow of PureRaw is more suited to the volume work that I do regarding action sports but I cannot use it usefully as it stands without the additional capabilities mentioned.