Bonjour équipe de Photolab,
Dans DxO Smart Lighting, Selective Tone, SVP ajouter le White slider!!! C’est la seule chose qui me garde chez Lightroom en ce moment!
Yes, this has been requested many times, as DxO’s Selective Tone sliders work differently than Adobe’s. There are several feature requests already asking for a white slider or a change to how the Selective Tone sliders work:
https://forum.dxo.com/search?q=selective%20tone%20white%20%23dxo-photolab%3Afeature-requests
DxO staff have said they are listening to our feedback. However, they don’t seem to have made any decisions about it.
Salutations Martine et bienvenue sur le forum des utilisateurs. L’équipe de développement DXO peut ou ne peut pas voir votre demande, vous devez signaler votre demande sur support.dxo.com. Il n’y a aucune garantie que cela sera efficace pour vous non plus. Cela a été demandé plusieurs fois au fil des ans sans résolution. Il y a une solution de contournement. Utilisez la courbe de tonalité pour changer le WL en une valeur plus élevée (vous ne pouvez pas la baisser, elle est déjà à (0, 0)), c’est donc une solution partielle. Bonne chance!
I’ve tried to edit the same photos in Lr and in DxO. I like almost every picture the best in DxO except when I have to edit the sky. I find I have much better results (and much closer to reality) when I work on skies from Lr. And the only reason, as it appears to me, is the white slider.
Do you guys work only with DxO? I have to make a decision in the next couple of months. Either Pure Raw + Lr or DxO Elite. I hate the idea of a monthly fee with Lr. I used to have Lr 5. My old computer broke down. I don’t have the license number anymore. So Lr5 is gone.
Same here. However, if you have FilmPack 7 installed, you can use the Luminosity Mask in DPL to handle skies. This way, you can get similar results. If not, this will only be 139 € more expensive.
Or you could just use a Control Line.
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Martine
Dans PhotoLab, la Compensation de l’exposition s’utilise à la place du curseur blanc en jouant avec les priorités hautes lumières.
Pascal