Thanks Pascal. I hadn’t thought to go back looking through the film profiles. I didn’t like Provia or Kodak Porta for my D4/D810 files but was really impressed by the rich colour and contrast Agfa Vista 200 offered. Here’s the image without profile and with Agfa Vista 200.
Without profile (but otherwise the same processing):
With Agfa Vista 200 colour profile:
I’ve included a bit of sidebar to give an idea of the settings (almost nothing automated, heavy on the fine contrast and blacks).
Taking a second careful pass through the Colour Positive Film folder, Fuji Velvia 50 is a very rich tonal feast (Generic Kodachrome is quite similar but with more yellow) and Kodak Elite Chrome 200 offers a darker slightly desaturated look I like a lot. With all of these I could create a rendering I liked (remember the original processing is specifically for the Agfa Astra 200 Colour Negative Film profile and I have not modified any of the other exports to keep the difference between the profiles directly comparable).
Fuji Velvia 50
For those who would like to see the whole set of sample exports using this image: https://uncoy-drive.mycozy.cloud/public?sharecode=PD4rEemxQJ9c