Indian Phone Call, near Pondicherry, India

This was supposed to be a candid photo, since I was inside a car, but the fellow spotted me anyway. Scene is very typically South Indian, and like most people in India, the phone is an ancient model, perhaps Nokia.

The scene came together as we were driving, no time to do anything more than focus. I like the image anyway. My goal was to take photos of cows, and goats, and maybe a temple, but I’m open to anything that my viewfinder can capture, as long as I’m fast enough to get the image.

I wish more people in this forum were equally busy capturing the life around them, and posting images every day or so. As for me, I never seem to know what I’ll be doing from one day to another, but I try to always have a camera handy.

Mike, if you’re going to make an image and make the subject “phone call”, then make that the subject and leave out all the other incidental junk, which distracts the eye from what could be a rather good portrait…

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This leaves me with a question - do I want the best or most interesting portrait, or the best or more interesting photograph? By making those changes, you leave out most of the reasons why I enjoy the original image.

If it’s to be a portrait, you’re obviously right.
To me, the entire scene is what I wanted to capture, and did.

To me, it’s a “street scene in India”, and the incidental junk makes the image more interesting.

OK, I need to think about this some more. It has everything to do with what I wanted to, and did, capture, but maybe that “distracting” stuff takes away from the image? I dunno - but I do know how I “feel”.

Never understood what “Street Photography” was supposed to be about, unless it was some kind of primitive (?Fauvist) landscape or portrait photography. I’m with Joanna here. Nice portrait, understand there would have been no time to change lenses, even had your bag been open. That’s what DxO made the cropping tool for.

To me, it means I was capturing what was going on around me on the street in Pondicherry, with all the things I saw and felt in my mind as I pressed the shutter release three times in quick succession, as we got closer. There wasn’t really any time to “aim”, just enough to make sure I captured everything I noticed within the frame, as we drove through and continued on our way.

If you open the original file, it’s a mess, but it does include what I wanted.

There was no intention of taking a portrait, just capturing the scene.

When I got home, I edited the images, creating what I envisioned as I pressed the shutter release.

Now, what I’m wondering about as I’m writing this, is the image more or less “powerful” when it is cropped as Joanna demonstrated. I understand she may very well be right, and the cropped version is better from being simplified without the “stuff” I included.

When I capture an image, I have an initial idea of what it’s probably going to look like. But the purpose of the image was “a slice of life”, not “a portrait”. So, for now, I’m stuck. I’ll think about this for a few days, and maybe change my mind.

Here’s another image captured ten minutes later. I got exactly the result I wanted, but by Joanna’s reasoning, maybe this image is too complicated and confusing? I did get what I wanted, and again, there was no time to think, only to “do”, as my car was moving through the scene, and I waited until all the bits and pieces fitted together, then took the image. Given time, and had I been standing there, the image would most likely look very different, maybe simplified. I didn’t want the motorbike in the image, but I had no choice.